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Content over familiarity: The franchise reality-check

Content over familiarity: The franchise reality-check

Content over familiarity: The franchise reality-check

After peaking in 2024, the box office share of Hindi franchise films declines significantly in 2025, underlining that IP-led films do not guarantee success at the box office
Published on April 15, 2026   •   4 mins read
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Summary
  • Franchise films peaked at 50% share of the Hindi domestic box office in 2024, but declined to 33% in 2025 despite higher supply, indicating a clear demand-side correction
  • The drop highlights that franchise films are not a guarantee of success, with audiences moving beyond familiarity to evaluate films on content merit
  • While franchises continue to drive stronger openings and dominate the top end, their success is increasingly dependent on novelty and execution, not just IP recall
  • A balanced slate, combining strong original films with selectively built franchises, is critical for sustainable box office growth and long-term IP creation

Post-pandemic, the Hindi theatrical market is navigating a phase of disruption. Viewing behaviour had shifted, with OTT becoming a strong alternative, and theatrical footfalls becoming far less predictable. In this environment, the industry gravitated towards what seemed like the most dependable strategy: franchises.

Familiar IP, recall value, and pre-existing audience equity made franchise films appear safer compared to original concepts. This belief quickly translated into action, with more franchise films being greenlit across studios. The outcome of this shift was most visible in 2024, when a significant 50% of the Hindi domestic box office (as seen in the chart below) was driven by just 11 franchise films.

FranchiseShare-1.png

The trend leading up to this point was equally telling. Franchise contribution had steadily increased from 19% in 2019 to 31% in 2022, and further to 37% in 2023, before peaking in 2024  At that moment, it seemed like the industry had found a clear playbook for theatrical success.

But 2025 tells a very different story!

2025: A demand-side correction

2025 disrupts this narrative in a meaningful way. The share of franchise films dropped sharply from 50% to 33%, despite the supply side remaining strong, with over 20 franchise films releasing during the year. This is a critical shift. The decline is not due to fewer franchise films being made, but because audiences did not respond to them in the same way as before.

In many ways, this indicates that a degree of normalcy has returned to the theatrical market. Audiences are no longer defaulting to familiarity alone. Instead, their choices are becoming more selective, and driven by the inherent appeal of the film rather than just its IP.

This correction also exposes a key flaw in the industry’s recent thinking. The success of franchises in previous years was interpreted as a structural truth, rather than as an outcome of specific films working. 2025 makes it clear that scaling the volume of franchise films does not guarantee automatic success.

Content over formula

The most important learning from this shift is that franchise-building cannot be formulaic. The assumption that extending a known IP automatically improves the chances of success is being challenged. Films like Thamma may benefit from being part of a franchise, but that alone is not enough. What worked for films like Munjya or Stree was not just familiarity, but imagination, novelty, and a strong creative voice. Without that, the franchise tag becomes superficial and insignificant. The underwhelming performance of War 2 is another example.

This brings the focus back to content quality as the central driver of theatrical success. A known IP can help drive awareness and opening, but sustained performance depends on how engaging and differentiated the film is. Audiences are clearly evaluating films on merit, even within established worlds.

At the same time, this does not reduce the importance of franchises. Their role at the top end of the box office remains strong, with 6 of the top 10 Hindi films in 2025 being franchise films. First-day collections also tend to be more stable for franchise films, indicating that familiarity continues to play a role in driving initial traction. The shift, therefore, is not about relevance, but about how franchises are being approached.

Ironically, the film that's a chief contributor to this trend reversal may also be reason why 2026 looks more franchise-skewed: The success of Dhurandhar, a non-franchise film in 2025, paved way for the record-breaking success of Dhurandhar: The Revenge, a franchise film, in 2026. This irony reinforces the 'content over formula' argument made above.

Dhurandhar2.jpg

Balance and long-term thinking

The key implication for the industry is the need to rebalance the content slate. An over-reliance on franchises can limit the emergence of new ideas and lead to creative fatigue. Original films are not just complementary, but essential. They are the source of future franchises, and without them, the ecosystem weakens over time.

There is also a need to recognise that franchise-building is a long-term exercise. Global examples like the Marvel Cinematic Universe were built over time, with a clear vision and sustained investment, and not without setbacks along the way. In contrast, Bollywood has often shown a tendency to react quickly to perceived trends. The rapid scale-up of franchises post-pandemic is a reflection of that behaviour.

For franchises to deliver long-term value, they need conviction, patience, and a strong creative foundation. Simply extending successful films into sequels is unlikely to work consistently. Finally, a more balanced slate also helps reduce volatility at the box office. A franchise-heavy strategy concentrates risk in a smaller set of films, whereas a mix of franchises and originals distributes that risk more effectively.

The 2025 trend does not signal the decline of franchises. It simply puts them in perspective. They are not a guarantee of success, but one part of a broader, quality-led theatrical ecosystem.

Franchise Box Office Bollywood Hindi Cinema Industry Reports
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Author

Amit Bhatia

Amit Bhatia

A part of Ormax Media since 2012, Amit co-heads the Insights team at the company, and oversees the functioning of several industry tools and reports, such as Ormax Cinematix, Ormax Stream Track, Ormax StreamView, Ormax Characters India Loves, Ormax Showbuzz, Ormax Heartbeats, and Ormax Stars India Loves, among others. Amit is also responsible for handling industry reports and strategic consulting projects across domains, and is actively involved in new product development initiatives at the company.

Amit holds a bachelor’s degree in Business Economics from Delhi University, and a master’s degree in Brand & Media Management from MICA, Ahmedabad. Before joining Ormax Media, Amit had worked in the consumer durables industry as a brand manager. He is a food lover, and is passionate about cricket and cinema.

Amit Bhatia

A part of Ormax Media since 2012, Amit co-heads the Insights team at the company, and oversees the functioning of several industry tools and reports, such as Ormax Cinematix, Ormax Stream Track, Ormax StreamView, Ormax Characters India Loves, Ormax Showbuzz, Ormax Heartbeats, and Ormax Stars India Loves, among others. Amit is also responsible for handling industry reports and strategic consulting projects across domains, and is actively involved in new product development initiatives at the company.

Amit holds a bachelor’s degree in Business Economics from Delhi University, and a master’s degree in Brand & Media Management from MICA, Ahmedabad. Before joining Ormax Media, Amit had worked in the consumer durables industry as a brand manager. He is a food lover, and is passionate about cricket and cinema.

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