The India Box Office Report: September 2022
Ponniyin Selvan - PS I and Brahmāstra make September the third-best month of 2022 at the Indian box office
Hindi cinema's moment of reckoning
What will it take for Hindi film industry to get back on its feet in the post-pandemic era?
The India Box Office Report: August 2022
Films from Telugu and Tamil languages dominate the Indian box office in August 2022, which saw the reversal of a declining month-on-month trend
The India Box Office Report: July 2022
Amid a declining trend, Thor: Love And Thunder and Vikrant Rona bring some respectability to July 2022 box office in India
The India Box Office Report: June 2022
Vikram grosses ₹ 285 Cr, keeping 2022 in race to be the biggest-ever box office year till date. Read more in our new monthly feature
India is back... at the theatres
A new report by GroupM and Ormax Media illustrates the record-breaking resurgence of theatrical business in the first four months of 2022
The original 'Pan India' filmmaker
Five elements in SS Rajamouli films that make them find universal audience, breaking cultural and language barriers
The curious case of The Kashmir Files
Does the success of The Kashmir Files underline the changing audience taste in a post-pandemic Bollywood? Or is there more to it? This analysis decodes the film's box office performance
The Ormax Box Office Report 2020-21 summarises the story of the Indian box office in the two tough, pandemic-affected years
Marathi film industry: Tough times ahead...
Four business challenges the Marathi film industry, which has struggled in the year leading up to the pandemic, must tackle to stay afloat
Back to the theatres... and a potential audience of 146 million!
Ormax Media's pre-pandemic report Sizing The Cinema pegged India's pre-pandemic theatrical audience universe at 146 million. Here's a recap of what the Indian theatrical market looks like.
Direct-to-OTT: The alternative ‘box office’ economics
A report on how much box office did the Hindi film industry lose because of theatres being shut during the pandemic, and how does this loss stack up against the revenue earned from streaming rights
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